Join us at ICP as David Campany, Creative Director and curator of Eugene Atget: The Making of a Reputation, is joined in conversation by scholars Andres Zervigon and Maria Antonella Pelizzari to discuss the lives of Atget’s images through magazines.This program is being offered both in person at ICP, located on NYC's Lower East Side, and online. Tickets to attend the conversation in person are $5 and do not include access to ICP’s galleries. Add on admission to the museum and arrive early to see our current exhibitions, on view through May 4, 2026.Jazz. L'actualite' intellectuelle, No.5, December 1928Photographie. Vision du monde," Arts et Metiers Graphiques, No.16, 1930 About the ExhibitionThe International Center of Photography presents Eugène Atget: The Making of a Reputation, curated by ICP’s creative director David Campany. This exhibition takes a new approach to the story of Atget’s career, drawing particular attention to the role that Berenice Abbott played in shaping Atget’s posthumous rise in influence. About Eugène AtgetEugène Atget (1857-1927) was a French photographer best known for his photographs of Paris and its environs. He supplied studies for painters, architects, and stage designers, while also making formally complex pictures. Atget’s subjects included everything from grand buildings to typical street scenes, storefronts and workers. His photographs, often taken in the early hours, are notable for their diffuse light and wide views that give a sense of enigma and mystery. They also document Paris and its rapid changes; many of the areas Atget photographed were soon to be razed as part of widespread modernization projects.Atget drew the admiration of a variety of artists, most notably Man Ray who even used one of Atget’s photographs on the cover of the magazine La Révolution surréaliste. The photographer Berenice Abbott preserved many of Atget’s prints and negatives. She exhibited his work, wrote about it, and for decades championed Atget as a forerunner of modern photography. Eugène Atget, Vaux-de-Cernay, 1908–10 (printed 1908–27). International Center of Photography, Gift of Caryl and Israel Englander, 2009 (2009.79.49 About the SpeakersDavid Campany is Creative Director of the International Center of Photography, New York. He has worked worldwide with institutions including MoMA New York, Tate, Whitechapel Gallery London, Centre Pompidou, Le Bal Paris, ICP New York, Stedelijk Museum Amsterdam, The Photographer’s Gallery London, ParisPhoto, PhotoLondon, The National Portrait Gallery London, Aperture, Steidl, MIT Press, Thames & Hudson, MACK and Friez. Maria Antonella Pelizzari is Professor of the History of Photography at Hunter College and The Graduate Center, CUNY. She is the author of Photography and Italy (Reaktion, 2011) and co-editor of The Idea of Italy (YCBA 2022). She has worked curatorially at the Canadian Center for Architecture in Montréal (Traces of India: Photography, Architecture, and the Politics of Representation, 2003), and has served in the Hunter Curatorial Certificate (Peripheral Visions, 2012; Framing Community: Magnum Photos, 2017; 125th Street: Photography in Harlem, 2022). She has published on illustrated periodicals in Modernism/Modernity (2019), the Journal of Modern Italian Studies (2015), Bruno Munari. The Lightness of Art (Peter Lang, 2017); Magazines and Modern Identities (Bloomsbury, 2023), and has co-edited with Andrés Zérvigon Print Matters: Media and Modernity in Illustrated Magazines, 1910-1970 (2025). Her current book project, under review, is Distracting Fascism. Photography in Angelo Rizzoli’s Illustrated Periodicals (1927-1938). Andrés Mario Zervigón is Professor of the History of Photography at Rutgers University, and Co-Editor in Chief of the journal History of Photography. He is author of John Heartfield and the Agitated Image (2012) and Photography and Germany (2017). With Tanya Sheehan he edited Photography and Its Origins (2014), with Sabine Kriebel Photography and Doubt (2017), with Donna Gustafson Subjective-Objective: A Century of Social Photography (2017) and with Antonella Pelizzari Print Matters: Media and Modernity in Illustrated Magazines, 1910-1970 (2025). His current book project is a history of the radical weekly Arbeiter-Illustrierte-Zeitung, for which he received a CASVA Senior Fellowship (2013-14). Zervigón leads The Developing Room, an academic working group at Rutgers devoted to photography studies. Header Image: Eugène Atget, Pontoise, Place du Grand Martroy, 1902 (printed 1919–27). International Center of Photography, Gift of Caryl and Israel Englander, 2008 (2008.111.46

Join our Admissions Team virtually to explore key admission dates, the academic timeline, program structure, tuition and scholarship opportunities, and learn what makes a successful application to ICP’s onsite One-Year Certificate Programs, including:Creative PracticesDocumentary Practice and Visual JournalismIn this session, you will receive an overview of key admission deadlines, the academic timeline, program structure, tuition, and scholarship opportunities. You’ll also gain insight into what the Admissions Committee looks for in successful applicants and have the chance to ask questions directly to the Admissions Team.We are currently accepting applications on a rolling admission basis for FALL 2026.Application will be reviewed on a case-by-case basis, with decisions made as space permitsICP’s onsite One-Year Certificate Programs begin in mid-August 2026 at our New York City campus.About the Event Format This is an online event held via Zoom. Please register in advance for this free event. ZOOM LINK HereIf you have questions about the event, please contact [email protected] by Gabrielle Ravet

This event is free with museum admission. No RSVP required for ICP members.Join us for weekly guided walking tours of the exhibitions: Eugène Atget: The Making of a Reputation, HARD COPY NEW YORK and Latitudes: Nuits Balnéaires and François-Xavier Gbré. About the ExhibitionsEugène Atget: The Making of a Reputation While Atget's work has been celebrated worldwide for documenting the lost Paris, this exhibition marks the first deep dive into how his reputation was built, and the pivotal role of Berenice Abbott, the photographer who championed his legacy.HARD COPY NEW YORK Exploring the contemporary use of photocopied images through works by industry-leading photographers including Stephen Shore, Daniel Arnold, Collier Schorr, Jerry Hsu, and others.Latitudes: Nuits Balnéaires and François-Xavier Gbré How does landscape photography reveal more than geographic facts? Latitudes brings together work by Nuits Balnéaires and François-Xavier Gbré that pushes beyond lanscape photography's traditional boundaries into evoking euphoric sensations, challenging colonial historical narratives, and expanding the scope of immersion. Program Format/Accessibility InformationThis is a walking tour of the gallery and is included with admission; no seating is provided. For accessibility questions or requests, please email [email protected]. Image by Pasinee Pramunwong

This event is free with museum admission. No RSVP required for ICP members.Join us for weekly guided walking tours of the exhibitions: Eugène Atget: The Making of a Reputation, HARD COPY NEW YORK and Latitudes: Nuits Balnéaires and François-Xavier Gbré. About the ExhibitionsEugène Atget: The Making of a Reputation While Atget's work has been celebrated worldwide for documenting the lost Paris, this exhibition marks the first deep dive into how his reputation was built, and the pivotal role of Berenice Abbott, the photographer who championed his legacy.HARD COPY NEW YORK Exploring the contemporary use of photocopied images through works by industry-leading photographers including Stephen Shore, Daniel Arnold, Collier Schorr, Jerry Hsu, and others.Latitudes: Nuits Balnéaires and François-Xavier Gbré How does landscape photography reveal more than geographic facts? Latitudes brings together work by Nuits Balnéaires and François-Xavier Gbré that pushes beyond lanscape photography's traditional boundaries into evoking euphoric sensations, challenging colonial historical narratives, and expanding the scope of immersion. Program Format/Accessibility InformationThis is a walking tour of the gallery and is included with admission; no seating is provided. For accessibility questions or requests, please email [email protected]. Image by Pasinee Pramunwong

Explore ICP's winter exhibitions during this hands-on all ages family workshop led by educator Carlos Nunez. Inspired by ICP’s incubator space project, Haruka Sakaguchi – The Camps America Built, families will learn to fold paper cranes and make cyanotypes as a tool to explore family histories, personal narratives and belonging. This iteration of Family Art Hour will take place at the ICP Cafe. All ages 4 and up are welcome.Parents and guardians must remain with their children during the activity.

Do you have questions about studying at ICP as an international student? Join ICP's International Student Q&A, with International Student Advisors! This info session will cover:What it's like being an international student at ICPAdmission requirements for international studentsForm I-20 & F-1 student visa applications (visa interviews) and your obligations while studying in the United StatesEmployment opportunities while on an F-1 student visa (work-study & post-completion OPT)We are currently accepting applications on a rolling admission basis for FALL 2026.Application will be reviewed on a case-by-case basis, with decisions made as space permits.ICP’s On-Site One-Year Certificate Programs will begin in mid-August 2026 at our New York City campus.About the Event Format This is an online event held via Zoom. Please register in advance for this free event. ZOOM LINK HereIf you have questions about the event, please contact [email protected]. Image by ICP One-Year Program alum Evelyn Sosa

Join us at ICP for the third installment of the spring Naomi Rosenblum ICP Talks Photographer lecture series featuring photographer Jerry Hsu and curator Tim Barber. Hsu and Barber will discuss the trajectory of Hsu’s multidisciplined career, including Hsu’s work, currently featured in ICP’s exhibition, HARD COPY NEW YORK.This program is being offered both in person at ICP, located on NYC's Lower East Side, and online. Current ICP students and faculty of the One-Year Certificate programs are automatically enrolled and invited to attend all lectures.Past speakers of the Naomi Rosenblum ICP Talks Lecture series include: JEB, Philip Cheung, Donna Ferrato, Naima Green, David Alekhuogie, Keisha Scarville, Roe Ethridge, and Erin Schaff. About the Series:ICP is thrilled to honor Naomi Rosenblum’s contribution to the field and to further her life’s work through this lecture series. Naomi Rosenblum was one of the leading photography historians of her generation and the author of A World History of Photography and A History of Women Photographers. The 2025-2026 Naomi Rosenblum ICP Talks Photographer Lecture Series is made possible through generous support from the Rosenblum Family. About the Speakers:Tim Barber is an American photographer, curator, and publisher known for his diaristic, emotionally resonant approach to image-making. Emerging in the early 2000s, Barber became closely associated with a generation of photographers who embraced the internet as both a platform for sharing work and a subject in itself. His photographs often blur the line between documentary and personal narrative, capturing the quiet, intimate moments of everyday life. Barber is the founder of tinyvices.com (now tinyvicesarchive.com), the influential online gallery and artist platform that helped shape contemporary photography culture by showcasing emerging artists alongside established voices. Through this project, he played a pivotal role in fostering a global community of image-makers during the rise of digital networking and publishing. His own work is characterized by a poetic sensibility—sunlit interiors, candid portraits, landscapes, and fleeting encounters—rendered with warmth and immediacy. Working across personal, editorial and commercial fields, Barber’s photographs emphasize feeling over spectacle, finding depth in subtle gestures and transient light. In addition to his photographic practice, Barber has worked as a curator, publisher and educator, contributing to exhibitions, publications, and conversations about the evolving role of photography in a networked world. In 2025 he launched the bookstore and exhibition space Rectangle Room at 113 Eldridge st. in downtown New York City.Header image by Tim Barber