Press Room Useful information, images, and other resources are available for members of the media. ICP in the Media News About ICP Artist as Ghostwriter: Sheida Soleimani’s Tableaux of Care (Frieze)Jul 16, 2025 Sheida Soleimani's Tableaux of Survival and Resistance (Loophole)Jul 15, 2025 Earth’s Poet of Scale | Edward Burtynsky’s monumental chronicle of the human impact on the planet (The New Yorker)Jul 12, 2025 A God’s-Eye-View of Earth’s Destruction | Edward Burtynsky (Hyperallergic)Jul 07, 2025 The Great Acceleration: Human-Altered Industrial Landscapes, with Edward Burtynsky (B&H Podcast)Jul 03, 2025 Helen Frankenthaler Foundation Announces 2025 Climate Initiative Grantees | ICP (ARTFORUM)Jun 27, 2025 Edward Burtynsky: ‘My photographs are like Rorschach tests’ (The Guardian)Jun 26, 2025 Dramatic Edward Burtynsky image shows stark desert divide (New Scientist)Jun 25, 2025 Humans have irreversibly changed the planet. These photos prove it | Edward Burtynsky (Fast Company)Jun 24, 2025 Photographer Captures the Terrifying Things Humans Have Done to the Planet | Edward Burtynsky (PetaPixel)Jun 24, 2025 See All Contact Us [email protected]For press inquiries, please reach out to the team at ALMA:Hannah Gottlieb-Graham | President + Founder [email protected] ICP News ICP Fact Sheet Press FAQ Press Policy ICP Press Releases Jan 15, 2009 - May 02, 2009 Munkacsi's Lost Archive Press Release Jan 15, 2009 - May 02, 2009 Edward Steichen In High Fashion, The Condé Nast Years 1923-1937 Press Release May 14, 2009 - Sep 19, 2009 John Wood: Quiet Protest Press Release May 14, 2009 - Sep 19, 2009 David Seidner: Paris Fashions, 1945 Press Release May 14, 2009 - Sep 19, 2009 Avedon Fashion 1944–2000 Press Release Oct 01, 2009 - Jan 16, 2010 Dress Codes: The Third ICP Triennial of Photography and Video Press Release View More
Jan 15, 2009 - May 02, 2009 Edward Steichen In High Fashion, The Condé Nast Years 1923-1937 Press Release
Oct 01, 2009 - Jan 16, 2010 Dress Codes: The Third ICP Triennial of Photography and Video Press Release
