This Is Not a Fashion Photograph

Selections from the ICP Collection

This Is Not a Fashion Photograph, organized by guest curator Vince Aletti, is an exhibition drawn largely from the permanent collection of ICP that looks at the non-fashion sources of contemporary fashion photography. Because many young fashion photographers are more interested in authenticity than artifice, they are looking closely at work by Weegee, Lisette Model, André Kertész, and Danny Lyon. It may not have been the intention of these photographers to make fashion images, but their work touches on style as a means of personal expression. With photographs by Gordon Parks, Bruce Davidson, Walker Evans, Samuel Fosso, Doris Ulmann, Mark Cohen, Marc Riboud, Robert Mapplethorpe, Ben Shahn, and others.

None of the photographs in the exhibition were taken with the intent of making a fashion photograph, but none of them would look out of place in a present-day fashion magazine. Taken together, they suggest the broad range of nonfashion influences on contemporary fashion photography.

Image
Weegee (Arthur Fellig)
"Hopper's Topper," Hedda Hopper, Hollywood, ca. 1948
© Weegee/International Center of Photography/Getty Images
International Center of Photography
Image
Malick Sidibé
Nuit de Noel, 1962
© Malick Sidibé
International Center of Photography, Courtesy the artist and Jack Shainman Gallery
Image
Stephen Shore
Paraphernalia's Opening and Show, 1966
©Stephen Shore
International Center of Photography, Courtesy the artist and 303 Gallery, New York
Image
George Strock
[Satchel Paige waiting for pool hall adversary, Harlem, New York], 1941
© 1941 Time Inc. Used by permission.
International Center of Photography, The LIFE Magazine Collection
Image
Yasumasa Morimura
To My Little Sister: For Cindy Sherman, 1998
© Yasumasa Morimura
International Center of Photography
Courtesy the artist and Luhring Augustine, New York
Image

Museum

1133 Avenue of the Americas, New York, NY
Jan 16, 2009 - May 03, 2009

Special Thanks

This exhibition is supported, in part, by public funds from the New York City Department of Cultural Affairs.