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Join us on the opening day of this landmark exhibition for a unique opportunity to hear directly from renowned curator Clément Chéroux, in conversation with Clara Bouveresse and ICP Associate Curator Pauline Vermare.
Chéroux, Bouveresse, and Vermare examine the history of Magnum Photos from the agency's early days through of-the-moment current concerns. The talk will take up the thematic lenses that frame Magnum Manifesto, from human rights to the ways in which Magnum photographers have captured—and continue to capture—a world in flux and under threat.
Clément Chéroux is a photo-historian with a Ph.D in art history. Since January 2017, he has been the senior curator for photography at the San Francisco Museum of Modern Art. From 2007 to 2016, he was curator and then chief curator for photography at the Centre Pompidou in Paris. As an author or editor, he has published thirty books about photography, including L'Expérience photographique d'August Strindberg (1994), Fautographie, petite histoire de l'erreur photographique (2003), Diplopie, l'image photographique à l'ère des médias globalisés : essai sur le 11 septembre 2001 (2009), Vernaculaires, essais d'histoire de la photographie (2013), and Avant l'avant-garde, du jeu en photographie (2015). He has curated over thirty exhibitions, including Mémoire des camps. Photographies des camps de concentration et d'extermination nazis, 1933–1999 (2001), The Perfect Medium. Photography and the Occult (2004), La Subversion des images : surréalisme, photographie, film (2009), Shoot ! Existential Photography (2010), Henri Cartier-Bresson (2014), Paparazzi ! Photographes, stars et artistes (2014), and Walker Evans (2017).
Clara Bouveresse is a photography historian. She holds a Ph.D in art history from Paris 1 Panthéon–Sorbonne University. Her doctoral thesis explored the evolution of Magnum Photos since its creation in 1947. She is the author of Histoire de l’agence Magnum (Flammarion) and co-author of Magnum Manifesto (Thames&Hudson). From 2014 to 2015, she was a Georges Lurcy fellow at Columbia University.
Pauline Vermare is an associate curator at the International Center of Photography, New York (ICP). Before joining ICP, Pauline worked at MoMA on the exhibition and publication Henri Cartier-Bresson: The Modern Century. From 2003 to 2009, she was the head of communications and exhibitions production at the Henri Cartier-Bresson Foundation in Paris. From 2001 to 2002, she worked at Magnum Photos’ Paris office. As a curator, Pauline has been part of ICP’s exhibition department since 2010 and worked on the production of numerous ICP shows and publications, including The Mexican Suitcase, Elliott Erwitt: Personal Best, Christer Strömholm: Les Amies de Place Blanche, Sebastião Salgado: Genesis, Capa in Color, ¡CUBA, CUBA!, and Public, Private, Secret. She holds a Masters of International Relations from the Paris Institute of Political Studies (Sciences Po) and a Masters in Japanese Language and Civilization (Langues’O).