Thy Kingdom Come—a collaboration between photographer/filmmaker Eugene Richards (whose career retrospective, The Run-On of Time, is on view at the ICP Museum) and actor/producer Javier Bardem—was conceived of following the filming of Terence Malick’s To the Wonder. As part of that production's "third unit," Richards introduced Bardem, who was portraying a parish priest in Malick’s film, to the real life residents of a small Oklahoma town. What had been intended as brief episodes for inclusion in the feature film grew in scope, as the townspeople, wholly aware that the priest was a fictional priest, chose to share personal details of their lives. Filmed in a dozen homes, a trailer park, a county jail, a local nursing facility, Thy Kingdom Come is a melding of truth and fiction, in which unscripted conversations, shot by Richards in beautiful widescreen, come to reveal the complexity of life in this small oil town.
Eugene Richards will be in person for a Q&A at the screening.
$15 General Admission
$12 ICP Members
Please present your ICP Member card at the Metrograph box office to receive discount. ICP Member tickets are not available with online purchase.
Eugene Richards, photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called” War on Poverty.” Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan. Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta.
Upon returning to Dorchester, Richards began to document the changing, racially diverse neighborhood where he was born. After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America. In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make.
Richards has published seventeen books. Exploding Into Life, which chronicles his first wife Dorothea Lynch’s struggle with breast cancer, received Nikon's Book of the Year award. For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Richards received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Richards’s most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.