Spring 2021 Continuing Education: New Faculty
ICP’s Continuing Education program offers a wide range of courses and workshops to fit your goals and schedule.
Due to the COVID-19 pandemic, all of ICP’s Continuing Education spring term classes (April 1–June 30) are online. Explore our online catalog and join us from anywhere for courses and workshops on personal vision, digital workflow, and more.
We are pleased to announce that the following individuals have joined our Continuing Education faculty this term.
Anthony Goicolea is a New York based multi-disciplinary artist who established their career in the late 1990s with a series of provocative self-portraits. His work ranges from photography, sculpture, and video, to multi-layered paintings on Mylar and large-scale installations. Goicolea received a MFA in sculpture and Photography from Pratt Institute of Art. His work is held in many public collections, including: the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Museum of Modern Art, as well as the Hirshorn Museum in Washington, DC, the North Carolina Museum of Art in Raleigh, North Carolina, 21C Museum in Louisville, Kentucky, and the Brooklyn Museum of Art in New York. Goicolea recently unveiled the first LGBT Memorial in the United States located in the Hudson River Park at West 12th Street in New York City.
Register for Mentorship with Anthony
Forrest Simmons is an artist working with photography, video, and sound. He is an alumnus of the International Center of Photography’s CE Track and Advanced CE Track programs. In 2020, he received an MFA in Photography from Columbia College Chicago, where he was the recipient of a Graduate Fellowship as well as the John Mulvany and Bob Thall Scholarship in Photography. His most recent body of work, A Lush and Ferocious Wilderness, is currently featured in Hyde Park Art Center’s Ground Floor Biennial in Chicago.
Register for The Constructed Image: Photographing from the Imagination with Forrest
Kei Ito is an interdisciplinary artist working primarily with camera-less images and installation art. Ito’s work addresses issues of deep intergenerational loss and connections as he explores the materiality and experimental processes of photography.
His work, rooted in the trauma and legacy passed down from his late grandfather - a survivor of the atomic bombing of Hiroshima, meditates on the complexity of his identity and heritage through examining the past and current threats of nuclear disaster and his present status as an immigrant. Thus, Ito’s ritualistic image-making serves as an intermediary, a memento of his grandfather, and his own history in today’s nuclear climate.
Ito has participated in numbers of prestige Artist in Residence programs offered by, MASS MoCA, the Marva and John Warnock Biennial A-I-R at University of Utah, Center for Photography at Woodstock and Creative Alliance. His works are included in the collection of the Museum of Contemporary Photography, Norton Museum of Art, the Marva & John Warnock A-I-R Committee, En Foco, California Institute of Integral Studies and CPW. His internationally recognized solo and group shows can be read in reviews and articles published by Washington Post, Hyperallergic, BmoreArt, ArtMaze Magazine, Washington City Paper and BBC Culture/Art.
Register for Breaking the Frame: Photography as Installation, Object and Concept with Kei
Logan Bellew is a photographer and installation-focused artist based between Brooklyn, New York and Nicosia, Cyprus. The practice of conserving artifacts, stories, and histories form the conceptual core of his work and uses investigative ideologies and autobiographical experiences to develop the deep personal narrative that concerns his work to this day. He is also an active volunteer with the AIDS Solidarity Movement of Cyprus where he was a representative for AIDS Action Europe and helps facilitate island-wide HIV education, public speaking, testing, and outreach campaigns. Logan is currently working to document the experience of volunteering in medical research before and in the wake of the COVID-19 Pandemic.
Bellew earned an MFA in photography from the University of New Mexico and currently teaches at the State University of New York in New Paltz and Arizona State University. His his photographs, videos, and installations are exhibited and published internationally including the International Association of Photography and Theory in Cyprus, Primal Sight—a contemporary survey of black and white photography—and the Museum of Modern Art’s artist book collection among others. He is one of the first international recipients of a residency with the Visual Artist’s Association of Cyprus.
Register for Making/Taking: Community-based Approaches to Making Your Work with Logan
Marc Ohrem-Leclef (German) is a Brooklyn-based photographer who works in response to socio-political histories that veil inequalities. He pivots between exploring his personal history and collaborations with communities across diverse geographies in addressing issues of identity, belonging, and representation.
His project Olympic Favela (2012–2016) resulted in a book (Damiani) and short film which garnered international attention. Current projects include Ulysse (2020–ongoing), which explores themes of migration, and Zameen (2017–ongoing), which examines the culture of touch between men in India.
Ohrem-Leclef's artwork is held in the collection of Museo de Arte do Rio (Brazil) and has been exhibited internationally. Reviews include Artforum, British Journal of Photography, CityLab, Hyperallergic, Der Spiegel, and Out. He is a MacDowell fellow and a lab participant at Experimenter Gallery, and has received numerous awards including the Meitar Award for Excellence in Photography (Tel Aviv), Print Center ANNUAL (Philadelphia), Pride Photo Award (Amsterdam), and LensCulture Fine Art Photography.
Register for Environmental Portraiture with Purpose: Documentary and Advocacy with Marc
Patcha Kitchaicharoen is passionate and self-motivated photographer, Kitchaicharoen has over ten years of experience in the photography industry encompassing art direction to conceptual work. Her deep-rooted expertise in the art of communication, food styling, and international professional experience help her meet and exceed clients’ expectations.
Register for Bringing Home the Bacon: Experimental Food Photography with Patcha
Sadie Wechsler (born Seattle, WA) is an artist working primarily with photography. Wechsler received a BA from Bard College in 2007 and an MFA from Yale School of Art in 2013. Her work has been shown nationally and internationally and was included in Format Festival England and Beijing and Out of Sight Seattle. She has been included in group shows at SAD gallery, Johalla Gallery, Aperture Gallery, Belfast School of Art, Photoville, and Newspace Center for Photography, and has had solo shows at DeSoto Gallery and Gallery 4Culture. Wechsler has received the Delivan grant from Bard College and the smArt Ventures Grant from the City of Seattle. She has been an artist in residence at Anderson Ranch Art Center and the Arctic Circle Expedition. In 2016, she self-published her first monograph, Part I: Redo, and her work can be found in the collections of the Yale University Library, the Hammer Art Museum, the Getty Research Institute, and the King County Portable Collection.
Register for Active Lands: Rethinking the Role of Landscape Photography with Sadie
Susana Raab is a photographer based out of Washington, DC. She was born in Lima, Peru and raised throughout the United States. She began her career as a photojournalist in Washington covering politics.
Raab returned to graduate school at Ohio University to focus on creating long-term personal work. There she began Consumed, an exploration of fast food in America, which defined the quirky and serious subject matter she investigates in many stories of America at leisure. The series was nominated for the Prix Pictet (2013), exhibited widely, and collected by the Smithsonian’s National Museum of American History and the Library of Congress.
More recently her work has focused on the east of the Anacostia River neighborhoods in Washington, DC and in Peru, where she recently finished work for an upcoming body of work, Precious Stranger. Yielding to the archival impulse, Raab incorporates neighborhood and family archive with contemporary photography. Her work is a love affair with the quotidian, writ large in color.
Among other honors, she has been the recipient of the White House News Photographers’ Project Grant, several DC Commission on the Arts and Humanities Artist Fellowships, honors in American Photography, Photo District News, Center. Her work is held in the collection of the Smithsonian Institution’s National Museum of American History, the Beinecke Rare Book and Manuscript Library at Yale University, the Capital One Collection, the Library of Congress, Division of Prints and Photographs, the Art Museum of the Americas, and the DC Public Art Bank.
Register for Discovering a Personal Voice in Long-Form Documentary Projects with Susana