Artist
Edmund Teske
(1911 - 1996) American
Biography
Born in Chicago, Edmund Teske began taking photographs at age seven with his mother's Kodak Scout 2-C camera. In 1931, while attending evening classes at the Huttle Art Studio, he installed a photographic studio in his family's basement. Soon he purchased a view camera and started photographing the streets of his hometown.
After working for a commercial studio in Chicago, Teske was awarded a photographic fellowship in 1936 that enabled him to study under the guidance of the architect Frank Lloyd Wright. Teske taught in the late 1930s at Chicago's New Bauhaus (later the Institute of Design), then moved to New York to work as Berenice Abbott's assistant.
In 1943Teske settled in Los Angeles, where he became interested in cinema, and in the early 1950s he was active with several small theater groups. During this period Teske refined the experimental photographic processes that he had begun to explore in the 1930s, such as solarization, combination printing, and chemical toning, and began to regularly exhibit and publish his work. In the 1960s, Teske was an influential visitng professor of photography at UCLA and other schools.
Phillips, Christopher, and Vanessa Rocco, eds. Modernist Photography: Selections from the Daniel Cowin Collection. New York: International Center of Photography and Göttingen, Germany: Steidl, 2005, p. 114.
References:
Cox, Julia. Spirit into Matter: The Photographs of Edmund Teske. Los Angeles: J. Paul Getty Museum, 2004.
Images from Within: The Photographs of Edmund Teske. Carmel, CA: Friends of Photography, 1980.
After working for a commercial studio in Chicago, Teske was awarded a photographic fellowship in 1936 that enabled him to study under the guidance of the architect Frank Lloyd Wright. Teske taught in the late 1930s at Chicago's New Bauhaus (later the Institute of Design), then moved to New York to work as Berenice Abbott's assistant.
In 1943Teske settled in Los Angeles, where he became interested in cinema, and in the early 1950s he was active with several small theater groups. During this period Teske refined the experimental photographic processes that he had begun to explore in the 1930s, such as solarization, combination printing, and chemical toning, and began to regularly exhibit and publish his work. In the 1960s, Teske was an influential visitng professor of photography at UCLA and other schools.
Phillips, Christopher, and Vanessa Rocco, eds. Modernist Photography: Selections from the Daniel Cowin Collection. New York: International Center of Photography and Göttingen, Germany: Steidl, 2005, p. 114.
References:
Cox, Julia. Spirit into Matter: The Photographs of Edmund Teske. Los Angeles: J. Paul Getty Museum, 2004.
Images from Within: The Photographs of Edmund Teske. Carmel, CA: Friends of Photography, 1980.