Kicking off ICP's 50th anniversary year, ICP at 50 is a thematic exploration of the many photographic processes that comprise the medium’s history, presenting works from ICP’s deep holdings of photography collected over 50 years since ICP was established in 1974. The exhibition includes work from the 19th century to the present, featuring photographs by well-known artists that ICP has in depth holdings of—such as Robert Capa, Weegee, Francesco Scavullo, and Gerda Taro among many others—as well as lesser-known and vernacular works and recent acquisitions including images by Jess T. Dugan, Nona Faustine, Deana Lawson, Paul Mpagi Sepuya, and Guanyu Xu. 

ICP’s founder Cornell Capa created ICP in 1974 in honor of his brother Robert Capa, a preeminent photojournalist of his day, who died in 1954. Robert's archive became a key early piece of ICP’s collection, alongside work by other important photojournalists and documentarians. In the ensuing five decades, the collection has expanded to include early photographic works, vernacular images, fashion photography and fine art photography among many other types of photographic production. Dissolving and challenging boundaries between categories—technological, aesthetic, conceptual and beyond—the collection is a celebration of image culture and the medium’s ability to reflect the values and interests of its time.  

ICP at 50 is the first overview collections show since the institution’s move to 79 Essex Street in January 2020. The exhibition will reintroduce the depth and breadth of the ICP holdings to audiences, celebrating 50 years of photography’s evolution. 

 

Header image: Helen Levitt, New York, 1980. International Center of Photography, Purchase, with funds provided by the ICP Acquisitions Committee, 2008.
Secondary image: Weegee, Peter Bull as Russian Ambassador Alexi de Sadesky on the set of "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.” International Center of Photography, Bequest of Wilma Wilcox, 1993 (7553.1993)

Special Thanks

Exhibition support is generously provided by the ICP Exhibitions Committee and the ICP Collections Committee.

Exhibitions at ICP are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.