Urbes Mutantes: Latin American Photography 1941–2012
Urbes Mutantes: Latin American Photography 1941–2012 is a major survey of photographic movements in Argentina, Bolivia, Brazil, Chile, Colombia, Cuba, Ecuador, Mexico, Peru, and Venezuela. Taking the "mutant," morphing, and occasionally chaotic Latin American city as its focus, the exhibition draws particularly on street photography's depictions of the city during decades of political and social upheaval. It is divided into sections that explore public space as a platform for protest, popular street culture, the public face of poverty, and other characteristics of the city as described in photographs. Dispensing with arbitrary distinctions between genres of photography—art photography, photojournalism, documentary—Urbes Mutantes points to the depth and richness of the extensive photographic history of the region.
Drawn from the collection of Leticia and Stanislas Poniatowski, the exhibition was first shown at the Museo de Arte del Banco de la República in Bogota in 2013. It was co-curated by Alexis Fabry and María Wills, and is accompanied by a bilingual catalogue published by Toluca Editions.
Paolo Gasparini, Acá este cielo que vemos, São Paulo, 1972. © Paolo Gasparini.
One of Brazil's leading contemporary photographers, Caio Reisewitz (b. 1967) has produced a remarkable body of work during the past 15 years, concentrating almost exclusively on Brazilian subjects. His large-scale color photographs explore the changing relation of the city and the countryside in a period of feverish economic development. Many of Reisewitz's photographs testify to his fascination with the architectural heritage of Brazil's colonial period, as well as its innovative 20th-century modernist architecture. Other imposing works portray the pristine landscapes and dense forests around his hometown of Sao Paulo—areas that are now threatened by urban sprawl. His smaller-format photocollages take a very different direction, employing a playful, jazz-like visual approach. In these works, tiny photographic images of urban environments are scattered within scenes presenting the green expanses of Brazil's forests. Reisewitz has frequently exhibited in South America and in Europe, and represented Brazil at the 2005 Venice Biennale. This is his first major solo show in the U.S. Organized by ICP Curator Christopher Phillips.
Caio Reisewitz, Carutapera, 2012. Courtesy Luciana Brito Galeria, São Paulo. © Caio Reisewitz.