These studies of the figure, drawn from the collection of William H. Lane, explore the aesthetic balance of reality, sensuality and formal abstraction attained by Edward Weston in his works. Curated by Theodore E. Stebbins, Jr.; John Moors, Cabot Curator of American Painting ;and Carl Zahn, Director of Publications. Organized by the Museum of Fine Arts Boston. All of the photographs have been lent by the William H. Lane Collection.