Faculty member Laura Larson curated the exhibit Hidden Mother.

Early portrait photographers employed a number of devices—from pedestals to pincer-like braces—to stabilize the bodies of their subjects during long exposures. But these methods often were not suitable for the small, unruly body of a child. Instead, the photographer enlisted the mother, who, hidden by studio props, supported or soothed her offspring. Examples of this fascinating practice of the 19th century and the little-known genre of “hidden mother” photography include tintypes, cartes-de-visite, cabinet cards, and other mediums.